In her new performance And, Aynsley Vandenbroucke uses experimental literary devices to create a series of live, three-dimensional essays. Vandenbroucke plays with lines between fact and fiction, narrative and abstraction, legibility and complexity. She works with—and against—the role of formal structures in writing, moving, and making a life. Some words that tussle for importance in the piece are art, life, body, marriage, knowing, divorce, uncertainty, gentleness, power, sex, and dance. Lighting design for And is by Vandenbroucke’s longtime collaborator Nelson Downend. With