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March 2020

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< March 2020 >

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Sun 1st
7:30pm
EFSD logo

EFSD 30th Anniversary Concert

Emergency Fund for Student Dancers
The Emergency Fund for Student Dancers (EFSD) presents a benefit concert in celebration of its 30th Anniversary with performances by advanced students of its member schools.  Hosted by Troy Powell, Artistic Director, Ailey II, the concert features original work by renowned choreographers as well as work by faculty of the schools,  Member schools include The Ailey School®, Ballet Hispánico School,…

 
Mon 2nd
7:30pm
Jonah Bokaer Choreography

RECESS | Dancers of Jonah Bokaer Choreography | 03/02/20

Jonah Bokaer Arts Foundation
ABOUT THE PERFORMANCE Join the diverse, international dancers of Jonah Bokaer Choreography, and our young patrons group, for a special March RECESS presentation.Choreographer Jonah Bokaer and the dancers will spotlight  their  recent collaborative process  with architect Charles Renfro / DS + R, including a presentation of choreographic material. Newly, some company members will fill out the…

 
Tue 3rd
Wed 4th
Thu 5th
7:00pm
Salon Performance Series - March Edition

Salon Performance Series - March Edition

Mark DeGarmo Dance
Mark DeGarmo Dance presents the March 2020 edition of its transcultural transdisciplinary Salon Performance Series 2019-2020 on Thursday, March 5th, 2020 featuring dance artists David Appel, Sloka Iyengar, La’Toya Latney, Rachel Repins, and J Michael Winward in a sharing of works-in-progress with a facilitated audience response curated and facilitated by dancer, choreographer, writer and researcher…

 
7:00pm
For C.J. is a multimedia piece highlighting systemic racism, dedicated to Clifton Fearon, Jr., who died from an asthma attack at

BRIClab: For C.J. (work-in-progress)

BRIC
For C.J., by Davalois Fearon Dance, stems from the untimely passing of Davalois Fearon’s nephew from an asthma attack. His passing was tragic and with proper care and treatment, entirely preventable. Urban planning and systemic redlining in government agencies have pushed populations of color to areas that face disproportionate levels of pollution, which results in the asthma hospitalization and…

 
7:30pm
Mette Loulou von Kohl with arm extended in front of a projector screen. Her shadow projects on the wall above her.

No one likes an ugly revolutionary

Mette Loulou von Kohl
An interdisciplinary solo performance created and performed by Mette Loulou von Kohl, No one likes an ugly revolutionary explores the artist’s relationship with the Palestinian resistance fighter Leila Khaled and the connections that shape armed resistance, terrorism, fetish, reverence, internalized orientalism, and diasporic longing.

 
7:30pm
Baruch Performing Arts Center and Amanda Selwyn Dance Theatre present the World Premiere of Hindsight

Baruch Performing Arts Center and Amanda Selwyn Dance Theatre present the World Premiere of Hindsight

Amanda Selwyn
Baruch Performing Arts Center and Amanda Selwyn Dance Theatre present the World Premiere of Hindsight 20th Anniversary Performance Season    March 5-7, 2020 at Baruch Performing Arts Center   Baruch Performing Arts Center and Amanda Selwyn Dance Theatre present the World Premiere of Hindsight, in celebration of the company's 20th Anniversary, from March 5-7, 2020 at 7:30pm at…

 
8:00pm
Woman in all white snarling like a wolf at the camera

Annalyn Lehnig's LAMB/WOLF

Triskelion Arts Presents
Triskelion Arts Presents Annalyn Lehnig in LAMB/WOLF. LAMB/WOLF is an unlikely love story between a wolf who longs for company and a lamb who dreams of sovereignty. Written and performed by Annalyn Lehnig, LAMB/WOLF is a brutal, sensual tale for anyone who’s felt deeply connected or deeply alone with enough courage to ask themselves, ‘who am I’? Have you ever felt hunger that’s buckled your…

 
8:30pm
Show Poster

I’m annoyed when the only size is everyone

Lewis Center for the Arts’ Program in Dance
Senior Jhor van der Horst invites audiences to experience a three-hour improvised dance work, presented in the round, which seeks to complicate the relationship between performers’ embodied experience and audiences’ practiced readership, with audiences encouraged to move between the “performance space” and a “supplementary space,” which includes a library with dozens of texts and practices…

 
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